Why it matters: The article discusses Martin Scorsese’s latest film, “Killers of the Flower Moon,” which is based on a true crime book about the Osage Murders. It explores the impact of the Osage Tribe’s newfound wealth from oil and how it made them targets of violent crimes. The article also discusses the controversy surrounding Scorsese’s choice to focus on the perspective of the killers rather than the Osage victims.
What they are saying: The article highlights the plot of the movie, with Robert De Niro playing William King Hale, a rancher who hires killers to eliminate his Osage in-laws to gain control of their oil. Leonardo DiCaprio plays his nephew Ernest, who is unwittingly involved in the crimes. The film also follows Mollie Burkhart, an Osage woman portrayed by Lily Gladstone, who becomes Ernest’s driver and unknowingly jeopardizes her own life.
The big picture: The film brings attention to the true crime genre and its tendency to sensationalize crimes for profit. Scorsese’s choice to focus on the perspective of the killers has divided viewers, with some feeling that it diminishes the role of the Osage victims. However, others believe that it allows audiences to witness the depths of the killers’ depravity.
What to watch: The film’s ending is described as a jarring change in setting and tone, presenting a radio show in the 50s or 60s recounting the fate of those involved in the Osage Murders. Some reviewers consider it a copout, but the article argues that it serves as a reminder that the film is a reconstruction of the past. It highlights the thematic fit of the ending, as the killers ultimately did not face the consequences they deserved.
Your take: The article paints an intriguing picture of Scorsese’s film and the true crime genre it critiques. It highlights the controversy surrounding the perspective chosen and discusses the thematic significance of the ending. Overall, the article provides a thought-provoking analysis of “Killers of the Flower Moon.”