Why it matters:
The article discusses the release of two movies, Barbie and Oppenheimer, and their respective successes or failures. It raises questions about the motive behind creating a movie like Barbie and criticizes its shallow narrative. On the other hand, it praises Oppenheimer as a well-written film with suspenseful scenes and highlights the performances of Cillian Murphy and other actors. The article also delves into the deeper themes and implications of Oppenheimer, specifically the threat of nuclear holocaust.
What they are saying:
The author expresses disappointment in Barbie, questioning its existence and suggesting it may just be an excuse for men to play with dolls. They are critical of the narrative and attribute the film’s flaws to potential interference from toy-manufacturer Mattel. However, they are enthusiastic about Greta Gerwig’s involvement and her previous work.
The author praises Oppenheimer, considering it one of Christopher Nolan’s best films and comparing its screenplay to Aaron Sorkin’s work. They highlight the suspenseful sequence leading up to the atomic bomb test as the most captivating part of the film. Cillian Murphy’s performance is lauded, drawing parallels between his character and his role in Peaky Blinders.
The big picture:
The article reflects on the current trend of movies based on consumer products and suggests that if blockbusters of this nature are going to be made, they should be given to filmmakers who genuinely care about their craft. It questions the decision-making process behind creating movies like Barbie and wonders if profit-driven motives may have compromised the quality of the film. It also acknowledges the impact and implications of Oppenheimer’s themes of nuclear holocaust.
What to watch:
It is worth watching how the two movies, Barbie and Oppenheimer, are received by audiences and critics. Will Barbie’s flaws be attributed to its marketing-driven nature? Will Oppenheimer continue to gain praise for its storytelling and performances?
Your take:
It is important to critically analyze the motives behind the creation of movies and question whether profit-driven decisions compromise artistic integrity. Movies like Barbie may disappoint due to weak narratives, while films like Oppenheimer provide thought-provoking subject matter and strong performances. The article emphasizes the importance of giving talented filmmakers the opportunity to work on projects that align with their artistic vision.
